Dear Michael,
Good to hear back from you. ██ ███████████ █████ ███ ████ ███████ ██████ ███ ████.
Sorry not to have replied sooner, I get a bit overwhelmed by many ongoing distractions and depressions.
Too bad ████████ is too busy, but it’s ok.
I should ask ███████ █ ███ ██████ ██ ██████ ███ ███ ████ ██████ ███ ███ ███████ ████ ██████ ███ ██████ ████ █ ████████ ███ █ ████ ████ ███ ████████ ██ █████ I will reach out to her now. █ ████ █████ █████ ██████ █████ ███ ██████████ ████████████ ███ ██ ██████ █████ ████ ██ ██ █ █████ ███ █████ ██████ ██████ ████████ █ ██ ████ ███████████ ██████ ████ ██████ █████ █ ████ ████████ ██ ████████ What do you think?
For an international writer I also made a tentative inquiry with Leigh Claire La Berge, who wrote a great book that I am enjoying and recommend, called Wages Against Artwork, looking at the relations between neoliberal decommodification of labour and contemporary social practice art. She replied that she was quite busy with a new baby plus pandemic, but that I should inquire again in a few months...
So I think that the current lineup of contributors is:
Clive Robertson (confirmed)
Mitchel Cumming (unconfirmed)
Denise Ryner (unconfirmed)
Leigh Claire La Berge (unconfirmed)
Let me know if you’re ok with this plan.
Keep swimming,
Josh